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MARYIA
Behind the Scenes·7 min read

The Women Behind the Stitch

Meet the artisans in our Lagos atelier — three generations of Adire mastery, now cutting for Marymia.

By Marymia·
Artisans at work in the Marymia Lagos atelier

In the quiet Surulere neighbourhood of Lagos, behind a painted blue gate, twelve women are rewriting the story of African fashion — one stitch at a time.

Mama Titi: The Keeper of Indigo

At sixty-seven, Mama Titi is the elder of our atelier. She learned Adire dyeing from her mother, who learned from hers. Her hands are permanently stained with indigo — a mark she wears with pride.

"People think dyeing is simple," she says, rinsing a length of cotton in a clay vat. "You put cloth in colour, you take it out. But Adire is a conversation. The cloth resists where you tell it to. The indigo goes where you invite it. If you listen carefully, the pattern reveals itself."

Mama Titi oversees every dyeing session. She mixes her own dye from natural indigo leaves, fermenting them in pots her grandmother used. The process takes days, sometimes weeks, and the result is a depth of blue you simply cannot achieve with synthetic dyes.

Bola: The Master Cutter

Bola joined the atelier eight years ago as an apprentice. Now thirty-one, she is our head cutter — responsible for translating London-drawn patterns into fabric reality.

"Every fabric behaves differently," Bola explains, laying out a length of hand-woven Aso-Oke. "Adire stretches in one direction, Aso-Oke resists in another. You have to feel the fabric before you cut. One wrong cut and three days of dyeing work is wasted."

Bola can cut a full garment from a single piece of cloth with almost zero waste — a skill that took years to develop and that aligns perfectly with our commitment to sustainability.

The Next Generation

Our youngest artisan, twenty-three-year-old Funmi, represents the future. She studied fashion design at Yaba College but chose the atelier over a mass-production factory.

"My classmates think I am crazy," Funmi laughs. "They work in factories cutting the same pattern five hundred times a day. I cut maybe five garments a week, but each one is different. Each one has my energy in it. When a customer in London wears that dress, she wears a piece of me."

Fair Wages, Real Impact

Every Marymia artisan earns above the Lagos living wage. We provide health insurance, annual leave, and a skills development budget for each team member. Three of our artisans have used this budget to attend international textile workshops — bringing new techniques back to the atelier.

When you buy Marymia, you support this model directly. No middlemen, no exploitation, no cutting corners. Just twelve women doing extraordinary work, paid fairly for every hour of craft.

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